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23 Maria Immacolata Vassallo de Lopes, Guillermo Orozco Gómez 1. Comparison of TV fiction in Ibero-American countries in 2012 ... The ten most viewed fictions in the year......................................... ictoria De Michele, Noelia Morales, Laura Oszust, Ezequiel Rivero 1. In other countries, there is a predominance of private networks.

Audiovisual context in Ibero-American countries........................... The United States is the only country in which there are no public channels, in our case, catering to Hispanic demographics. Audiovisual context in Ibero-American countries Some facts command our attention in the panorama of communications in the countries of the Obitel scope.

101 – Bom Fim Cep: 90035-190 – Porto Alegre/RS Fone: (0xx51) 3311.4082 Fax: (0xx51) 2364.4194 e-mail: [email protected] Agosto/2013 This work is a result of a partnership between Globo Universidade and Ibero-American Television Fiction Observatory (OBITEL). Topic of the year: social memory and television fiction . Audiovisual context in the country................................................ Our observation was carried out by a network of research teams from 12 countries and different universities from the Ibero-American region: Argentina, Brazil, Chile, Colombia, Ecuador, Spain, United States, Mexico, Peru, Portugal, Venezuela, and Uruguay.

(Ponti ficia Universidad Católica del Perú), Research Associ ate; Rogger Vergara, Tatiana Labarthe, Thalia Dancuart, Nataly Vergara (Pontificia Universidad Católica del Perú), Research Assistants. Spain has 30 autonomous TV networks, not analyzed in this comparative chapter, which collects only the networks that have national offer in each country.

VENEZUELA Morella Alvarado Miquilena (Universidad Central de Venezuela), National Coordina tor; Luisa Torrealba (Universidad Central de Venezuela), Re searcher; Mabel Calderín (Universidad Católica Andrés Bello) and Carlos Arcila (Universidad del Norte), Research Asso ciates; Nazareth Sojo (Universidad Central de Venezuela), Pedro de Mendonca (Universidad Central de Venezuela), Andrea Abreu (Universidad Católica Andrés Bello), Research Assistants. ARGENTINA: growth of national production and its styles......... Yearly analysis: premiere of national and Ibero-American fiction . Transmedia reception ................................................................... The only country that has a balance between private and public networks is Portugal.

Index EDITOR’S NOTE ..................................................................................... 15 METHODOLOGICAL NOTE ................................................................... 17 FIRST PART FICTION IN THE IBERO-AMERICAN SPACE IN 2012 Comparative synthesis from Obitel countries in 2012............................... 95 Authors: Gustavo Aprea, Mónica Kirchheimer Team: María Belzunces, María Victoria Bourdieu, V . ................................................................ In Colombia, Ecuador and Mexico, the number of public networks is much closer to that of private ones.

La lista muestra a varios apellidos que van desde la "F" hasta la "Z", Entre ellos Belén Francese, Virginia Gallardo, Antonio Gasalla, Andrea Ghidone, Rocio Guirao Díaz, Diego Korol, Mirtha Legrand, Luisana Lopilato, Claudia Villafañe, Nicole Neumann, Enrique Pinti, Jorge Rial, Alejandra Pradón, Florencia Peña, Luis Majul, Aníbal Pachano, Fernando Niembro, Catherine Fulop, Mariano Iúdica, Marcelo Polino y Guillermo López.

Dallys Ferreira, Analía Franchín, Barby Franco, Brenda Gandini, Luciano Garbellano, Leo García, Delfina Gerez Bosco, Danel Gómez Rinaldi, Sergio Gonal, Xoana González, Oscar González Oro, Sergio Goycochea, Amalia Granata, Adabel Guerrero, Nacha Guevara, Nancy Herrera, Fernanda Iglesias, Marcelo Iripino, Krina Jelinek, Jey Mammon, Marcela Kloosterboer, Paola Krum, Bruno Lábaque, Jorge Lanata, Miriam Lanzoni, Sergio Lapegue, Kenita Larraín, Alexandra Larsson, Eugenia Lemos, Macarena Lemos.

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Se supone que la misma corresponde a un productor, porque contiene solamente apellidos de la farándula.

PORTUGAL Isabel Ferin Cunha (Universi dade de Coimbra, Centro de Investigação Media e Jornalismo) and Catarina Duff Burnay (Universidade Católica Portuguesa), National Coor dinators; Fernanda Castilho Santana, Bianca Faciola (Universi dade de Coimbra), Research Associates. Topic of the year: social memory and television fiction................ BRAZIL: telenovela as media event................................................ 129 Authors: Maria Immacolata Vassallo de Lopes, Maria Cristina Palma Mungioli Team: Claudia Freire, Clarice Greco, Ligia Maria Prezia Lemos, Issaaf Karhawi, Helen N. The most significant data on these regional or local networks can be found in the chapter on Spain in this Yearbook.

URUGUAY Rosario Sánchez Vilela (Uni versidad Católica del Uruguay), National Coordinator; Paula Santos Vizcaíno, Lucía Allegro, Eugenia Armúa, Isabel Dighiero (Univer sidad Católica del Uruguay), Research Assistants. TV fiction and transmedia reception: interaction through networks .......................................................... Topic of the year: social memory and television fiction in Ibero-American countries . 76 SECOND PART FICTION IN OBITEL COUNTRIES IN 2012 1. Highlights of the year ................................................................... 1 2 24 | Obitel 2013 United States Azteca America, Estrella TV, Mundo Fox, Telemundo, Uni Más, Univisión, V-me Mexico Televisa, TV Azteca, Cadena Tres 7 Once TV, Conaculta 5 TV Perú 6 RTP1, RTP2 Televisión Nacional (TNU) 4 Frecuencia Latina, América Peru Portugal Uruguay Venezuela Total Source: Obitel Televisión, Panamericana Televisión, ATV, Global TV SIC, TVI Montecarlo TV, Saeta, Teledoce / La Tele Canal I, Globovisión, La Tele, Meridiano, Televen, TV Familia, Vale TV, Venevisión 54 4 ANTV, Tves, C. Tele Sur, VTV, Vive TV 13 21 75 From the universe of 75 national broadcast channels in the 12 Obitel countries, the private-owned networks represented 54 (72%), that is, more than twice the public ones, which totaled 21 (28%).

To accomplish it, a permanent partnership with the academia is established. Topic of the year: social memory and television fiction . 229 Authors: Alexandra Ayala Marín, César Herrera Team: Pamela Cruz Páez, José Luis Bedón, Adriana Garrido, José Rivera 1. The general analysis of this Yearbook is divided into three parts.

ISBN: 978-85-205-0700-X CDU: 654.19 659.3 CDD: 301.161 791.445 Direitos desta edição adquiridos por Globo Comunicação e Participações S. About Globo Universidade: Globo Universidade, created in 1999, has as a mission the sharing of experiences in order to add knowledge. ECUADOR: fiction and humor move to the web........................... ................................................................ The statistical treatment of the data was carried out according to productive typologies (programming schedule, time slots, duration of each fiction product, chapters or episodes) and measuring typologies (audience ratings and share), which made possible to build comparative tables of the offer conditions and the production profiles of television fiction in each country, which include such categories as: programming amount, formats, producers, scriptwriters, creators, exhibition strategies, among others.

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